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Thursday 20 June 2024
17 June 2024 - 23 June 2024
May 2024
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
02.06.2024

VESKO ESCHKENAZY & NAYDEN TODOROV

Bulgaria Concert Hall
Conductor
Nayden Todorov
Soloist/s
Vesko Eschkenazy
Ensemble
Sofia Philharmonic Orchestra
Program
Antonio Vivaldi - The Four Seasons (Le quattro stagioni) -four Violin Concerti
Astor Piazzolla - The Four Seasons of Buenos Aires
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
06.06.2024

BOMSORI KIM & SABINE MEYER

Bulgaria Concert Hall
Conductor
Nayden Todorov
Soloist/s
Bomsori Kim
Sabine Meyer
Ensemble
Sofia Philharmonic Orchestra
Program
Carl Maria von Weber - Clarinet Concerto No.1 in F major, Op. 73
Felix Mendelssohn-Bartholdy - Violin Concerto in E minor, Op. 64
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
13.06.2024
Religious Holidays
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
13.06.2024

LOHENGRIN

Richard Wagner
Main Hall
Music and Dance Events
13.06.2024

SOPHIE HEINRICH & VITALI ALEKSEENOK

Bulgaria Concert Hall
Conductor
Vitali Alekseenok
Soloist/s
Sophie Heinrich
Ensemble
Sofia Philharmonic Orchestra
Program
Wolfgang Amadeus Mozart - Concerto for Violin and Orchestra No.5 in A Dur, K.219
Carl Philipp Emanuel Bach - Symphony in B flat major, H.658
Heinrich Biber - "Batalia" in D major
Wolfgang Amadeus Mozart - Symphony № 29 in A major, KV 201 / 186a
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
15.06.2024

DAS RHEINGOLD

Opera by Richard Wagner / Der Ring des Nibelungen
Duration: 2:35 No intermission
Main Hall
Performed in German, with Bulgarian and English subtitles
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.06.2024

DIE WALKÜRE

Opera by Richard Wagner / Der Ring des Nibelungen
Duration 5:00 Intermission 2
Main Hall
Performed in German, with Bulgarian and English subtitles
Music and Dance Events
16.06.2024

MARIA JOÃO PIRES & NAYDEN TODOROV

Bulgaria Concert Hall
Conductor
Nayden Todorov
Soloist/s
Maria João Pires
Ensemble
Sofia Philharmonic Orchestra
Program
Ludwig van Beethoven - Concerto for Piano and Orchestra No.3 in C minor, Op. 37
Ludwig van Beethoven - Sympony No.3 in E-flat Major "Eroica", Op.55
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
18.06.2024

SIEGFRIED

Opera by Richard Wagner / Der Ring des Nibelungen
Duration 5:15 Intermission 2
Main Hall
Performed in German, with Bulgarian and English subtitles
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
20.06.2024

GÖTTERDÄMMERUNG

Opera by Richard Wagner / Der Ring des Nibelungen
Duration 6:00 Intermission 2
Main Hall
Performed in German, with Bulgarian and English subtitles
Music and Dance Events
20.06.2024

SVETLIN ROUSSEV & THEODOSII SPASSOV

Bulgaria Concert Hall
Conductor
Svetoslav Borisov
Soloist/s
Svetlin Roussev
Theodosii Spassov
Ensemble
Sofia Philharmonic Orchestra
Program
Theodosii Spassov - Concert for Violin, Kaval & Orchestra
Robert Schumann - Symphony No.3 "Rhenish"
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
05.04.2024 - 23.06.2024

KALINA TASEVA (1927 – 2022)

Kvadrat 500
Curator: Boryana Valchanova, PhD
Kalina Taseva ranks as one of the illustrious figures in the panorama of Bulgarian visual art. She embarked on her artistic career in the 1950s in an extremely difficult sociocultural environment — a time highly charged with ideological dogma regarding Bulgarian art. Her works were not affected by contemporary artistic trends; instead, they were multilayered, revealing a breadth and complexity of thought, and executed with extreme professionalism.
Through her powerful expression, and in a challenge to the time in which she lived, Taseva bolstered her prestige, thereby establishing her vivid presence in the annals of Bulgarian painting. Leading up to the 1980s, her large-format, multifigural compositions on favourite historical and Revivalist thematics were central to her oeuvre. She produced images of Macedonian rebels, revolutionaries and haidouks, of women wearing coarse peasant clothes, with a combination of plastic strength and emotionality — the faces are dramatic, austere, and preoccupied. The forms of her earlier works are more decorative, and the line is clear and definite; while, in later works, it is more expressive and dynamic.
A considerable proportion of the painter’s oeuvre was devoted to portraiture. Close friends, artists and intellectuals often served as her models, their complex inner worlds recreated through static poses and contemplative states, with the atmosphere and subdued lighting contributing to the psychological impact she wished to achieve. Taseva applied her entire painterly power to landscapes and still lifes, which perhaps most fully revealed her artistic talent. She expressed nature’s lyrical moods in a series of canvases dating from the 1990s. By combining her original sensibility, personal style and pronounced emotional strength, the artist sought for a poetic impression of chromaticism.
It is the first time that Kalina Taseva is being represented at the National Gallery. The exhibition includes artworks from the collections of the National Gallery; Sofia City Art Gallery; the galleries in Blagoevgrad, Veliko Tarnovo, Varna, Gabrovo, Dobrich, Kazanlak, Pazardzhik, Ruse, Sliven, and Yambol; from the heirs of Kalina Taseva, and private collections. The BNT film ‘Kalina and the Comites’ (2016) will also be shown within the exhibition.
Media Partner: BTA / Bulgarian News Agency.
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
23.06.2024

LOHENGRIN

Richard Wagner
Main Hall
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
24.06.2024
Religious Holidays
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
27.06.2024

EMANUIL IVANOV & EMIL TABAKOV

Bulgaria Concert Hall
Conductor
Emil Tabakov
Soloist/s
Emanuil Ivanov
Ensemble
Sofia Philharmonic Orchestra
National Philharmonic Choir
Program
Ferruccio Busoni - Concerto for Piano, Male Choir & Orchestra in C major, Op. 39 (BV247)
Alexander Scriabin - "Le Poème de l'extase" (The Poem of Ecstasy), Op. 54
Music and Dance Events
27.06.2024

SLEEPING BEAUTY

ballet by Pyotr Ilyich Tchaikovsky
Duration 2:45 Intermission 1
Main Hall
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
28.06.2024

SLEEPING BEAUTY

ballet by Pyotr Ilyich Tchaikovsky
Duration 2:45 Intermission 1
Main Hall
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
29.06.2024

CONCERT FOR BABIES

Military academy - small hall
Music and Dance Events
29.06.2024

THE LOST PRINCESS

A concert with songs from the musicals "Anastasia" and "The Sound of Music"
Duration: 0:50
Military academy - small hall
Music and Dance Events
29.06.2024

A TIME MACHINE

Concert
Chamber hall
Music and Dance Events
16.04.2024 - 13.10.2024

FRANZ VON STUCK | Between Light and Darkness

Kvadrat 500
The exhibition ‘Franz von Stuck. Between Light and Darkness’ is the first presentation in Bulgaria of the famous German symbolist (1863 – 1928), popular among the general public in our country because of his work ‘Lucifer’ (1890) from the National Gallery’s collection, purchased by Prince Ferdinand of Bulgaria during his visit to Munich the following year. Now it is exhibited alongside twelve of the artist’s works from the collection of the Museum Villa Stuck in Munich (portraits, mythological and religious paintings, and related drawings and etchings) providing an overview of the artist’s oeuvre.
The two paintings that brought Stuck worldwide fame, the large-format ‘The Guardian of Paradise’ (1889), which is rarely shown outside Villa Stuck, and ‘Lucifer’ from our collection, will resume their dramatic dialogue, meeting again in Hall 24 of Kvadrat 500. In addition to witnessing the expressive clash between “light” and “darkness,” viewers have the opportunity to get acquainted with other famous works of the artist, e.g., ‘Prometheus,‘ ‘Samson and the Lion.’ The impressive canvas ‘The Sin’ became so popular that the artist executed several versions, including the one shown in the exhibition that he installed in the “Altar of the Artist” in his studio in Villa Stuck. The display allows re- experiencing Franz von Stuck’s iconic work ‘Lucifer’ in its original context, loaded with the semantic characteristic of the era in which it was created.
The exhibition design decisions address the aesthetics of Villa Stuck – Franz von Stuck’s greatest artistic project, which was later turned into a municipal museum, preserving a large part of the artist’s work. In Hall 24, the architects Kiril Ass and Nadya Korbut used a series of spatial and colour allusions to the Pompeian antique tradition that Stuck laid at the heart of his decorative solutions.
Franz von Stuck is one of the most famous representatives of the Symbolist movement in art worldwide and is among the founders of the Munich Secession, the predecessor of the one in Vienna. To this day, Symbolism remains among the most popular and attractive artistic phenomena of the late 19th century. This exhibition expands the Bulgarian public’s understanding of one of the most famous European artists from the decades between the 19th and 20th centuries. Through his works, one could become more familiar with the art of Symbolism, which greatly influenced Bulgarian modernists. Franz von Stuck was a painter, sculptor, graphic designer, and architect; among his students at the Academy of Fine Arts in Munich were world-renowned figures such as Wassily Kandinsky, Paul Klee, Josef Albers, and the Bulgarian Kocho (Konstantin) Garnev.
The exhibition is accompanied by a bilingual catalogue, published in partnership with the Museum Villa Stuck and containing an in-depth account of the works on display.
The project is supported by the Ministry of Culture of Bulgaria and co-financed by the Lachezar Tsotsorkov Foundation. Media partner: BTA / Bulgarian News Agency.
Iaroslava Boubnova, curator of the exhibition
Mariya Kodinova, assistant curator
Exhibitions
15.02.2024 - 13.09.2024

Nadezhda Oleg Lyahova | PRESERVATION

Vera Nedkova House Museum
‘In the Home of Vera Nedkova’, the programme launched in 2019, continues to present contemporary artists in an atmosphere filled with a myriad memories and marked by the artist’s intellectual and creative presence. Nadezhda Oleg Lyahova’s exhibition re-evaluates the significance and meaning of the times and memory of events and facts, refracted through the artist’s distinctive lens. Nadezhda Oleg Lyahova conveys the memory and emotion of ‘Obsession’, an exhibition by ‘The 8th March’ group shown back in 1999 at the Sofia Central Mineral Baths, when the building was dilapidated, abandoned to the vagaries of time, with its fate still unclear. Through the installations, ‘Obsession—25 Years Later’ (2024), a 14-minute video, and ‘Testimony’ (1999), Lyahova takes us back to the pathos of the time. Based on the installation from that exhibition and works produced in 2019, she has created a small pencil drawing. Her attempt to rethink and superimpose a system of images and facts reveals a curiosity that the artist shares with the viewer.
The basis of the present exhibition is the opportunity for personal perusal of, and extensive research into, the issue of preserving the museum as an institution and, simultaneously, transferring memory. Nadezhda Oleg Lyahova sets out the idea of the transition and essence of the image, its presence in the domain of feelings, and the inherent associations evoked in the mind. Diana Draganova-Stier, exhibition curator
Exhibitions
30.06.2024

FORTI & THE MAGIC FLUTES

Chamber Hall
Soloist/s
Ensemble
Flautissimo Quartet
Music and Dance Events
30.06.2024

THE CARNIVAL OF ANIMALS

Children's performance to the music of Camille Saint-Saëns
Duration 1:00
Military academy - small hall
Music and Dance Events